Arshile Gorky
American, ca. 1904–1948
Until the early 1940s, Gorky thoroughly committed himself to the study (and imitation) of the great modernist masters, particularly Cézanne, Picasso, and Miró. In 1930 he exhibited three still lifes in the Museum of Modern Art exhibition, 46 Painters and Sculptors under 35 Years of Age. In 1933 he began a lifelong friendship with Willem de Kooning. His first solo show was held at Mellon Galleries, Philadelphia, in 1934. Gorky joined the WPA in 1935, and worked on various aviation murals (present locations unknown) until 1940. The Whitney Museum of American Art purchased Painting in 1936-37. Gorky's best known and final phase of work began shortly after his marriage to Agnes Magruder in September 1941, and a visit to the Connecticut countryside in the summer of 1942. Gorky's "breakthrough" painting (or paintings) was the later canvases of the Garden of Sochi series (1940-43), one of which was acquired by The Museum of Modern Art in 1942.11 The summer of 1943 began a series of visits to Crooked Run Farm, Hamilton, Virginia, where Gorky drew out of doors. Gorky met André Breton and the Surrealists in 1944, and first exhibited at Julian Levy Gallery, New York, in 1945, where he would have annual solo shows through 1948. In January 1945, a fire in his studio in Sherman, Connecticut, destroyed approximately twenty-seven works. Gorky had an operation for cancer the following month, and went to Virginia that summer and fall, where he produced about three hundred drawings. Eight paintings and two drawings were shown in the exhibition Fourteen Americans at the Museum of Modern Art in the fall of 1946. An automobile accident in June, 1948, broke Gorky's neck and immobilized his painting arm. On July 21 he hanged himself in his Sherman studio.