Sol LeWitt
American, 1928–2007
LeWitt's use of the open cube dates to 1965, and by 1966 he had begun combining the modular cubes in various serial forms, as he described in his 1966 statement "Serial Project No. 1 (ABCD)." LeWitt further elaborated his ideas concerning the use of relatively simple units or modules combined according to a present plan in his 1967 "Paragraphs on Conceptual Art," and his 1969 "Sentences on Conceptual Art." In 1968 LeWitt also began to develop the principles used in his wall drawings, and he described these principles in statements published in 1970 and 1971.
In his work since the seventies, LeWitt has continued to explore different forms of drawing and sculpture based on the use of a predetermined plan or process of application.
U.S. Representative in Sao Paulo Bienale in 1996 (Wadsworth Atheneum, Andrea Miller-Keller, curator)