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Inscribing a Banana Leaf, from the album Figures in Settings

Artist/Maker (Chinese, 1577–1668)
Date1649
MediumAlbum leaf, ink and color on silk
DimensionsImage: 11 1/4 × 8 in. (28.6 × 20.3 cm)
Mount: 14 5/8 × 9 9/16 in. (37.1 × 24.3 cm)
Credit LineGift of Carol S. Brooks in honor of her father, George J. Schlenker, and R. T. Miller Jr. Fund
PortfolioFigures in Settings
Object number1997.29.14F
Status
Not on view
More Information
Title inscription: 題蕉
A scholar stands on a garden rock, writing on the large leaf of a banana tree. Two smaller servants stand at the ready: one, in blue, holds the man’s ink stone and looks down at the other, who carries a tray with a pitcher of wine and a cup on a lacquered stand.

There are many tales from imperial China of scholars so urgent to record their spontaneous verse that they jot it on the nearest surface, often a trunk of bamboo, a stone, or a banana leaf. Writing on banana leaves was also associated with diligence and frugality: the famous calligraphy master Huáisù 懷素 (737–799) was so poor as a boy that he couldn’t afford paper, and used banana leaves to practice writing.
Exhibition History
The Cultured Landscape in China and Japan
  • Allen Memorial Art Museum, Oberlin, OH (February 6, 2007 - August 13, 2007 )
A Century of Asian Art at Oberlin: Chinese Paintings
  • Allen Memorial Art Museum, Oberlin, OH (June 6, 2017 - December 10, 2017 )
Collections
  • Asian