Mochizuki: Kaidomaru with His Animal Companions Catching a Small Tengu with a Limed Stick, no. 26 from the series The Sixty-nine Stations of the Kisokaidō
Artist/Maker
Utagawa Kuniyoshi 歌川国芳
(Japanese, 1797–1861)
Publisher
Hayashiya Shōgorō 林屋庄五郎
Date1852
MediumColor woodblock print (nishiki-e); ink and color on paper
DimensionsVertical ōban; overall: 14 3/16 × 9 5/8 in. (36 × 24.4 cm)
Credit LineMary A. Ainsworth Bequest
PortfolioThe Sixty-nine Stations of the Kisokaidō (Kisokaidō rokujukutsugi no uchi)
Object number1950.611
Status
Not on viewIn his series The Sixty-Nine Stations of the Kisokaidō, Utagawa Kuniyoshi gives a grand tour of the Japanese imagination in the mid-19th century by pairing scenes from history, legend, fiction, and drama with landscape vignettes. Though often focused on the samurai and/or actor classes, Kuniyoshi also uses legends to explore nature outside of human contact. This print portrays Kaidōmaru, the child superhero more commonly known as Kintarō. A popular topic in prints, he is often depicted in red or orange, symbolizing his strength and energy. This supernatural child of the Thunder God and Yamauba (Mountain Witch) grows up with the forest animals—bears, rabbits, monkeys—as his playmates. Here, Kaidōmaru and his animal friends thrust a pole covered with a sticky substance called birdlime into trees to catch song birds. Instead of a bird, however, they accidentally capture a baby Tengu: a half-bird, half-man, mountain goblin. This humorous scene makes an elaborate pun on the name of the town Mochizuki, whose name sounds like birdlime (torimochi) and “a thrust” (tsuki). The town, depicted in the inset landscape, was located on an historic highway between the cities of Edo and Kyoto.
Exhibition History
Kuniyoshi's Kisokaido
- Allen Memorial Art Museum, Oberlin, OH (February 23, 1999 - May 31, 1999 )
Exploring Reciprocity: The Power of Animals in Non-Western Art
- Allen Memorial Art Museum, Oberlin, OH (January 31, 2017 - June 4, 2017 )
Collections
- Asian
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