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A Mechanical Toy Displayed in Edo by Takeda Ōmi

Artist/Maker (Japanese, 1735–1785)
Datemid- to late 1750s
MediumWoodblock print (benizuri-e); ink and limited color on paper
DimensionsVertical ōban; overall: 16 1/8 × 11 3/8 in. (41 × 28.9 cm)
Credit LineMary A. Ainsworth Bequest
Object number1950.223
Status
Not on view
More Information
An interesting predecessor to Japan’s current pop-culture fascination with robots can be found in a craze for mechanical toys or “automata” (karakuri) in the Edo period. Inspired by examples from both China and 16th-century Europe, they ranged from small tabletop versions to larger ones that appeared in festival processions or as special effects in theatrical productions.

There are a few surviving prints by Torii Kiyomitsu of these spectacular devices. In this example, two mechanical boys vigorously pump water that shoots into a “tray landscape” meant to be understood as the high mountainous peaks of the legendary islands of the immortals in the Pacific. The water fills the hollow, tallest peak, then sprays out to turn a small waterwheel. The mechanism also caused the bird to sing and the drum to beat.
Exhibition History
Visions of Turmoil and Tranquility: Japanese Woodblock Prints from the Collection
  • Allen Memorial Art Museum, Oberlin, OH (September 17, 2005 - December 23, 2005 )
Envisioning Edo's Splendor: The Floating World and Beyond
  • Allen Memorial Art Museum, Oberlin, OH (February 3, 2009 - July 19, 2009 )
A Life in Prints: Mary A. Ainsworth and the Floating World
  • Allen Memorial Art Museum, Oberlin, OH (February 3, 2015 - June 7, 2015 )
Ukiyo-e Prints from the Mary Ainsworth Collection
  • Chiba City Museum of Art, Chiba, Japan (April 13, 2019 - May 25, 2019 )
  • Shizuoka City Museum of Art, Shizuoka, Japan (June 8, 2019 - July 28, 2019 )
  • Osaka City Museum of Fine Arts, Osaka, Japan (August 10, 2019 - September 29, 2019 )
Collections
  • Asian