Landscape with Flight into Egypt
Artist/Maker
Domenichino (Domenico Zampieri)
(Italian, 1581–1641)
Dateca. 1605
MediumOil on copper
DimensionsOverall: 10 3/8 × 13 1/2 in. (26.4 × 34.3 cm)
Frame: 15 × 18 3/16 × 2 in. (38.1 × 46.2 × 5.1 cm)
Frame: 15 × 18 3/16 × 2 in. (38.1 × 46.2 × 5.1 cm)
Credit LineMrs. F. F. Prentiss Fund
Object number1968.51
Status
On viewThe majesty and monumentality of the figures, gestures, and expressions in this small copper painting by Domenichino belie its diminutive size. As Joseph, Mary, and Jesus leave for Egypt, escaping Herod's decree, a boatman struggles mightily with his pole to hold steady the boat that will carry them. Joseph tenderly looks toward Mary and offers her his arm as she steps aboard, while the Christ child sleeps deeply and the donkey which brought them to the river's edge begins to graze.
The landscape is reminiscent of Rome, where Domenichino painted the work early in his career. He was heavily influenced by Annibale Carracci, with whom he worked on a similar landscape scene of the same subject, as part of a group of works known as the Aldobrandini lunettes that helped to define and establish the entire seventeenth-century classical landscape tradition. Here, two pyramids and a round building reminiscent of the Pantheon combine known Roman architectural types with the feel of the countryside surrounding that city, and allude to Egypt's most recognized architectural form. The low houses to the left and lightly brushed indications of two figures on the path in the distance help to alleviate the solitude of the scene. Domenichino's careful rendering of the foliage and clear colors add to the work's delicacy.
ProvenanceHugh Nicholas Pearson [1776-1856], Datchet, Windsor. General Paul Thiebault, Germany, Spain, and France; (sale, Christie's, London, 13 June 1817, lot 61, to Gray]);¹ (possible sale, Christie's, London, 1 May 1830 [as "A small Landscape, with the Flight into Egypt, with classical Buildings in the distance"]).² (Ferdinando Peretti, London); purchased 1968 by Allen Memorial Art Museum, Oberlin, OH
Notes:
¹ In "A Catalogue of the highly distinguished and very celebrated collection of Italian, Flemish, and Dutch Pictures, the geneuine property of His Grace The Duke de D'Alberg.." as from "Gen. Thiebaut's collection"
² Possibly appears in a sale at Christie's, London, 30 June 1827, lot 30. "A Catalogue of a valuable selection of Italian, French, Flemish, and Dutch pictures..." has Domenichino as the artist of "a beautiful small Landscape with Figures" though no illustrations are provided.Exhibition History
The landscape is reminiscent of Rome, where Domenichino painted the work early in his career. He was heavily influenced by Annibale Carracci, with whom he worked on a similar landscape scene of the same subject, as part of a group of works known as the Aldobrandini lunettes that helped to define and establish the entire seventeenth-century classical landscape tradition. Here, two pyramids and a round building reminiscent of the Pantheon combine known Roman architectural types with the feel of the countryside surrounding that city, and allude to Egypt's most recognized architectural form. The low houses to the left and lightly brushed indications of two figures on the path in the distance help to alleviate the solitude of the scene. Domenichino's careful rendering of the foliage and clear colors add to the work's delicacy.
Domenichino
- Museo di Palazzo Venezia, Rome (October 18, 1996 - January 26, 1997 )
The Genius of Rome 1592-1623
- Royal Academy of Arts, London (January 20, 2001 - April 16, 2001 )
Seven Hundred Years of Western Art
- Allen Memorial Art Museum, Oberlin, OH (August 26, 2001 - June 2, 2002 )
Side by Side: Oberlin's Masterworks
- The Metropolitan Museum of Art, New York (March 16, 2010 - August 29, 2010 )
- The Phillips Collection, Washington, DC (September 11, 2010 - January 16, 2011 )
Collections
- European
- On View
The AMAM continually researches its collection and updates its records with new findings.
We welcome additional information and suggestions for improvement. Please email us at AMAMcurator@oberlin.edu.
We welcome additional information and suggestions for improvement. Please email us at AMAMcurator@oberlin.edu.
early 17th century
ca. 1405