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The Harlot's Progress, Plate 1

Artist/Maker (English, 1697–1764)
Date1732
MediumEtching and engraving
DimensionsImage: 12 3/4 × 15 1/2 in. (32.4 × 39.4 cm)
Sheet: 18 7/8 × 24 7/8 in. (48 × 63.2 cm)
Credit LineAnnie A. Wager Bequest
PortfolioThe Harlot's Progress
Object number1975.195
Status
On view
More Information
The Harlot's Progress (1732) was Hogarth's first venture in issuing a suite of prints depicting consecutive stages in a narrative, which he termed a 'moral progress.' Sold by subscription and as a set, the prints' novelistic format and modern subject matter captured the public's fancy, and inspired Hogarth to continue his success with The Rake's Progress (1735) and Marriage a la Mode (1745).

In this first scene, we are introduced to the main protagonist, Moll Hackabout, who—fresh from the countryside—has just arrived at London’s Bell Inn. Moll has come to London to seek employment as a seamstress or domestic servant. Moll’s plans are, however, diverted by the notorious procuress Elizabeth “Mother” Needham.

Hogarth emphasizes Moll’s downcast eyes, and plain, modest attire to communicate her naivety and innocence in the face of Mother Needham, who extends her bare hand to examine Moll’s youth and beauty. On the left, the churchman’s horse accidentally topples a stack of pots, foreshadowing Moll’s imminent “fall.”
Exhibition History
William Hogarth: Master of Graphic Social Satire
  • Allen Memorial Art Museum, Oberlin, OH (November 17, 1978 - December 17, 1978 )
'A more new way of proceeding': Representation and Narrative in the Art of William Hogarth
  • Allen Memorial Art Museum, Oberlin, OH (March 23, 1995 - May 29, 1995 )
Out of Albion: British Art from the Allen Memorial Art Museum
  • Allen Memorial Art Museum, Oberlin, OH (August 26, 2008 - December 23, 2008 )
Hogarth's Progress
  • Allen Memorial Art Museum, Oberlin, OH (January 31, 2025 - August 10, 2025 )
Collections
  • European
  • On View
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